Dr Alasdair CochraneAlasdair

Senior Lecturer in Political Theory

Email: a.cochrane@sheffield.ac.uk
Webpage: https://www.sheffield.ac.uk/politics/people/academic/alasdair-cochrane
Wiki: http://en.wikipedia.org/wiki/Alasdair_Cochrane


Alasdair Cochrane is Senior Lecturer in Political Theory at the University of Sheffield and co-director of ShARC. The bulk of his research examines the ways in which political institutions, structures and processes can be reimagined to better serve the interests and rights of sentient animals.


I have written three books on these issues: Animal Rights without Liberation (Columbia University Press, 2012), An Introduction to Animals and Political Theory (Palgrave Macmillan, 2010) and Sentientist Politics: A Theory of Global Inter-Species Justice (Oxford University Press, 2018).

My current project, entitled ‘Beastly Cosmopolitanism : A Global Theory of Inter-Species Justice’, explores the nature of our international obligation to animals, and asks what types of institutions might best serve them.

Dr Robert McKayBob

Senior Lecturer in English Literature

Email: R.McKay@sheffield.ac.uk
Webpage: http://www.shef.ac.uk/english/people/mckay


Robert McKay is a Senior Lecturer in English Literature at the University of Sheffield and co-director of ShARC. His research focuses on the animal politics of modern and contemporary literature, film and theory, with further interests in contemporary art. He has long been involved in interdisciplinary animal studies, having convened one of the field’s early gatherings, the Millennial Animals conference at Sheffield in 2000.


I am series co-editor for Palgrave Studies in Animals and Literature and Assistant Editor (Literature) for Society and Animals. I am currently working on two projects: a study on the place of animal ethics in American culture, politics and law 1930-1960 and a monograph titled Animal Form: The Politics of Species in Contemporary Literature.

Dr John MillerJohn

Senior Lecturer in Nineteenth-Century Literature

Email: john.miller@sheffield.ac.uk

Webpage: shef.ac.uk/english/people/miller


John Miller is a Senior Lecturer in Nineteenth-Century Literature and co-director of ShARC. Having completed his PhD at the University of Glasgow in 2009, John then held postdoctoral research fellowships at the Institute for Advanced Study in the Humanities, University of Edinburgh, and at the University of Northern British Columbia. He also held a teaching fellowship at the University of East Anglia. John is President of the Association for the Study of Literature and Environment (UK & Ireland) and co-editor of Palgrave Studies in Animals and Literature.


My research focuses on writing about animals, ecology and empire from the nineteenth century to the present, with particular emphasis on the late Victorian period. My first monograph Empire and the Animal Body (Anthem, 2012) explores the representation of exotic animals in Victorian and Edwardian adventure fiction. My second book is the co-authored volume Walrus for the Reaktion Animal series. I am currently near to completing a monograph titled Victorians in Furs: Fiction, Fashion and Activism and I have started work on my next project, A Literary History of In Vitro Meat which examines the origins of cultured flesh in the late nineteenth century and traces its development in imaginative literature through to the present. I am also contributing co-editor of The Dictionary of Neoliberal Terms (Spirit Duplicator) and have recently edited a collection of stories about tattooing for the British Library.

Dr Katherine Ebury

Senior Lecturer in Modern Literature

Email: k.ebury@sheffield.ac.uk

Twitter: @Katherine_Ebury

Website: www.sheffield.ac.uk/english/people/academic-staff/dr-katherine-ebury


Katherine Ebury is Senior Lecturer in Modern Literature at the University of Sheffield. Her first monograph, Modernism and Cosmology, appeared in 2014, and she is the co-editor (with Dr James Alexander Fraser) of Joyce’s Non-Fiction Writings: Outside His Jurisfiction, which appeared with Palgrave in 2018. Her articles and chapters have appeared in journals such as Irish Studies Review, Joyce Studies Annual, Journal of Modern Literature, and Society and Animals. She is especially interested in intersections between animal studies and literature and science methodology, as well as the intersection between human and nonhuman rights discourses. She is currently working on an AHRC-funded new book project on modern literature and the death penalty, including a chapter on psychoanalytic and anthropological understandings of the totem animal in relation to sacrifice. 

Dr Fabienne Collignon

Senior Lecturer in Contemporary Literature

Email: f.collignon@sheffield.ac.uk

Twitter: @Existenzform


Fabienne Collignon is Senior Lecturer in Contemporary Literature at the University of Sheffield and is currently working on ‘the insectile’. Her research interests are critical theory, in particular theories of technology, subject formation, the ‘in-human’. She has published articles in Textual Practice, C-Theory, Journal of American Studies, Orbit, Configurations, new formations and Extrapolation.

Dr Sarah Bezan

Newton International Fellow

Email: s.bezan@sheffield.ac.uk
Webpage: https://www.sarahbezan.com


Sarah Bezan is Newton International Fellow (2018-2020) at the University of Sheffield. Her postdoctoral project, “Animating the Fossil Image: Iconographies of Contingency in Contemporary Paleoart” seeks to understand how emerging paleoartists respond to ecological crisis. Her work more broadly is focused on evolutionary aesthetics, visual cultures of de-extinction, and the intersection of the arts and natural sciences.


Sarah is the co-editor of the book Seeing Animals After Derrida (Lexington Ecocritical Theory and Practice Series, 2018), along with a forthcoming special issue of Configurations (Johns Hopkins UP) on “Taxidermic Forms and Fictions” with Susan McHugh. Her first book-length manuscript (in preparation) explores the evolutionary aesthetics of decomposition in the thinking of Charles Darwin. Prior to her tenure at the University of Sheffield, Sarah was a Research Affiliate at The University of Manitoba Institute for the Humanities. She obtained her PhD from The University of Alberta, Canada, in 2017.

Dr Josh Milburn

British Academy Postdoctoral Fellow

Department of Politics and International Relations

Email: jmilburn02@qub.ac.uk

Webpage: josh-milburn.com


Josh is a moral and political philosopher who writes about animal ethics. Before starting a British Academy Postdoctoral Fellowship at Sheffield in 2019, he taught at the University of York and held a the Postdoctoral Fellowship in Animal Studies at Queen’s University in Canada. He is a section editor of the journal Politics and Animals and a member of the Vegan Society’s Research Advisory Committee.


Josh’s current research project is called Food Justice and Animals: Feeding the World Respectfully. He is exploring whether a state that respects animal rights could have a non-vegan food system – perhaps by producing in vitro meat, farming invertebrates, or coming up with other creative sources of animal-based foods. Prior and ongoing research has explored the place of animals in liberal and libertarian political theory, human relationships with wild animals, and the ethics of feeding animals.

Dr Rachel Murray

Leverhulme Early Career Fellow

Email: rachel.e.murray@sheffield.ac.uk

Twitter: @murrayrachel89


I am a Leverhulme Early Career Fellow based in the School of English. My
primary research interests lie in modernism, literature and science, and animal studies. Before
joining Sheffield, I was a Doctoral Prize Fellow at Loughborough University after completing my PhD at the University of Bristol in 2018.


My current research project, Strange Attachments, examines the presence of marine life in modern and contemporary literature. Identifying a recurrent fascination with creatures that grip or cling onto their surroundings, I’m considering what the idea of attachment – approached from various disciplinary angles – can bring to existing readings of the sea, as well as to environmental thought. I’ve also written a book about insects in modernist literature, and published articles on larval forms in Samuel Beckett and on James Joyce and bees. I am currently co-editing a special
issue of Modernism/modernity (with Caroline Hovanec) entitled ‘Reading Modernism in the Sixth Extinction’.

Ming Panha

PhD student in English Literature

Email: mpanha1@sheffield.ac.uk

Twitter: @MermanNott


I am granted funding for my PhD study from Thammasat University, Thailand to begin my PhD study in English Literature in 2017. I’m interested in literature written in English from late eighteenth century to early twentieth century.


My PhD thesis focuses on pet dogs in Sherlock Holmes fictions by Sir Arthur Conan Doyle in the British imperial context. I’m looking at pet dogs as a rebellious yet precarious living flesh, against medievalist and masculinist labelling, which is considered consolation for the loss of British imperial power as well as the revolution in gendered identity politics. In Sherlock Holmes fictions, canine bodies in the domestic space play the role of discursive battlefield, and yet consider itself void of meaning and thus rebellious against human discursive practices.

Christie Oliver-Hobley

PhD student in English Literature

Research Communications and Knowledge Exchange Coordinator for ShARC

Email: cjoliver-hobley1@sheffield.ac.uk
Twitter: @jolly_ostrich


I am originally from Sheffield, but left six years ago to study BA English Language & Literature at the University of Leeds (graduating 2014). Thence to Cambridge to complete an MPhil in Modern and Contemporary English Studies (completed in 2016). I have now returned to the city of my upbringing to complete a PhD in English Literature, which is funded by the AHRC via the White Rose College of the Arts and Humanities (WRoCAH).


My PhD research engages with an eclectic array of contemporary sources, including nature memoirs, poetry, short stories, cinema, performance research and performance art. What links all of these diverse ‘texts’ is their interest in nonhuman subjectivities. Adopting animal affects, or inhabiting imagined nonhuman minds, they enact radical decentrings of the human. Some of these humans purportedly seek to surmount the wall of animal/human alterity entirely: to be, or to become, animal. In analysing these primary sources, my research draws heavily upon scientific enquiries into the nature of animal behaviour and/or minds, and upon Continental-Philosophical thinking about animals, over the past eighty-or-so years.

Peter Sands

PhD student in English Literature

Email: pwsands1@sheffield.ac.uk


After completing a BA in English and History and an MA in English Literature here at Sheffield, I began my PhD in September 2017, funded by the White Rose College of the Arts and Humanities (WRoCAH). With grounding in literary animal studies, my work draws influence from biopolitical and posthumanist theory, ecocriticism and speculative fiction.


My PhD research examines the role of species in the technological imagination of the Cold War. I am broadly concerned with the ways in which narratives of enclosure, contamination and disaster serve to secure the boundaries of the human both as biopolitical sovereign and as bare — or animal — life. My literary sources include works by Thomas Pynchon, J. G. Ballard, and Richard Matheson.

Mira Lieberman

PhD student in Management School

Email: mlieberman-boyd1@sheffield.ac.uk
Blog: https://sociolinguini.wordpress.com/


A first-year PhD candidate funded by the Grantham Centre for Future Sustainability, I am interested in the representation of animals in a wide range of media.
Having completed by BA in Modern Languages with the Open University, and my MA in Sociocultural linguistics at Goldsmiths, University of London, I am now looking to apply linguistic analysis in my PhD research.


We are currently experiencing the Earth’s 6th mass extinction, where species are lost at a dazzling rate, mainly due to human activity. My PhD thesis adopts approaches from ecolinguistics and sociolinguistics to analyse international companies’ integrated reports to examine how they may account for species extinction. I am specifically interested in the chemical industry and pesticide use in connection with the extinction of insects, who play a vital component in the maintenance of soil health, pollination and food production.

Mo (Charlotte) O’Neill

PhD student in English Literature (Part-time)

Email: coneill2@sheffield.ac.uk

Twitter: @b_yondthehuman


Having completed my BA and MA in English Literature in Sheffield, I started my PhD in the School of English in April 2018. I first studied late Victorian activist and writer Edward Carpenter as part of a SURE-funded research project during the second year of my undergraduate degree; I went on to write about him for my undergraduate dissertation, and now he is the subject of my PhD research.


Entitled ‘Edward Carpenter: Beyond the Human’, my thesis looks for the presence of the non-human in Carpenter’s prolific writing, uncovering an underexplored interest of the notable socialist and LGBT+ rights campaigner. While my work foregrounds Carpenter’s animal activism – including his opposition to meat eating, fur wearing, hunting, and vivisection – I also look for ways the more-than-human manifests in his writing more broadly. I am especially interested in Carpenter’s esoteric philosophy: influenced by Hinduism, it radically challenges the boundaries of the ‘human.’

Daniel J Bowman

PhD student in English Literature

Research Communications and Knowledge Exchange Coordinator for ShARC

Email: djbowman1@sheffield.ac.uk
Twitter: @DanielJBowman1


I’m a PhD candidate at the University of Sheffield, having also completed my Masters here and my undergraduate degree at Northumbria University.   I’m interested in literary representations of animality and technology in the modernist period, with particular emphasis on the impact of early automotive culture on the lives of animals (both human and nonhuman).


My project, Horsepower: Animals in Automotive Culture, 1895-1935, examines how portrayals of animals were affected by the invention and mass-production of the automobile.  The first issue of popular car periodical The Horseless Age was printed in 1895, twenty years before horse populations peaked in the US.  Whilst there is a temptation to believe that automotive culture makes animals go away, my hypothesis is that this belief is merely one of the ideological fictions associated with the car.

Samantha J Hind

PhD Student in English Literature

Custodian of the ShARC Blog

Email: sjhind1@sheffield.ac.uk

Twitter: @samjhind


After completing an English and Film BA at the University of Salford in 2018 and an English Literature MA at the University of Sheffield in 2019, I am now a WRoCAH funded PhD student at Sheffield. I am interested in representations of flesh, both human animal and non-human animal, in 21st century speculative fiction.


One question reoccurs, when people find out someone chooses not to consume flesh: what would you eat, if you were on a desert island and all there was to eat was a pig? Consider, then, how desolate landscapes and time limiting scenarios have the potential to alter our perceptions of which kinds of flesh are socially acceptable to eat and how a rhetoric surrounding flesh’s essentialism can be dispelled.

My thesis will aim to examine a variety of speculative fiction texts, ranging from the industrialised farming of human animals in Joseph D’Lacey’s novel, Meat, to “the future is vegan” narrative of Simon Amstell’s TV film, Carnage. The speculative texts I plan to examine facilitate situations where humanity’s use of earth’s resources and our understanding of what it means to be considered flesh are questioned, providing a much needed understanding of what it means to be and eat flesh in a world desperate for a sustainable alternative.

Rosanne van der Voet

PhD Student in Creative Writing

Email: rvandervoet1@sheffield.ac.uk


Originally from Amsterdam and The Hague in the Netherlands, I have a background in European Culture and Literature (BA University of Amsterdam) and Literature, Landscape and Environment (MA Bath Spa University). I am currently a PhD student in Creative Writing at Sheffield, funded by Prins Bernhard Cultuurfonds, Hendrik Muller Vaderlandsch Fonds, and WRoCAH. Among other things, I’m interested in material ecocriticism and creative practice, representations of sea and coast in contemporary literature, and development of new writing styles in response to the environmental crisis.


Facts on environmental problems are not enough to mobilise action: we need new experimental writing to communicate the urgency of the Anthropocene. Instead of dwelling on statistics or outdated humano-centric myths, the moment has come to tell strange and alien stories that acknowledge the uncertainty of our time and the Anthropocenic crisis of representation. My PhD project explores what kinds of stories can make the environmental crisis of the oceans tangible, with a particular focus on Dutch water management and the coast of South-Holland. Against the theoretical background of material ecocriticism, I am developing a site-specific writing technique called ‘material language,’ which aims to bring this field as situated phenomenology into practice. 

Gemma Curto

PhD Student in English Literature (part-time)

Email: g.curto@sheffield.ac.uk

Twitter: @GemmaCurto1

Website: gemmacurto.com


I am a PhD student in English Literature in the School of English at the University of Sheffield. My primary research interests lie in literature and science, chaos and climate change and animal studies in 20th and 21st century literature.


My project explores notions of chaos in the climate change imaginary. It is widely accepted that global climate is projected to continue to change over this century and beyond. Yet, despite the huge impact on popular consciousness that Rachel Carson’s Silent Spring and Edward Lorenz’s summary of chaos theory had in the 60s and 70s, notions of climate responsibilities in an unjust world arise in the contemporary literary imagination. My project invites to ask the largest possible questions in the midst of environmental catastrophes, which might lead to a benevolent future for Earth but not necessarily for human animals. In my thesis I address the question of whether contemporary fiction authors reflect climate ethics and of the extent to which human and nonhuman animals are valued in this cohabited planet within a biocentric framework. My research examines works by authors including Tom Stoppard, Mark Z. Danielewski, Jonathan Safran Foer, Robert Hunter, Richard McGuire and Margaret Atwood.